Papers by Cheyenne Peverelli
[Cahier], Dec 1, 2018
Les Cahiers du Centre d'études chypriotes sont mis à disposition selon les termes de la Licence C... more Les Cahiers du Centre d'études chypriotes sont mis à disposition selon les termes de la Licence Creative Commons Attribution -Pas d'Utilisation Commerciale -Partage dans les Mêmes Conditions 4.0 International.
Cahiers du Centre d'Etudes Chypriotes, 2024
Pu lié avec le concours de la Fondation A. . Leventis Centre d'Études Chypriotes École Française ... more Pu lié avec le concours de la Fondation A. . Leventis Centre d'Études Chypriotes École Française d'Athènes La revue Cahiers du Centre d'Études Chypriotes (a ré ée CCEC) pu lie des contri utions en allemand an lais rançais rec italien et rend compte d'ouvra es ui lui sont envoyés. Adresser les propositions d'articles à la rédactrice en che de la revue. irectrice de la revue a ine Fourrier édactrice en che Anna Cannav ui constituent le comité éditorial avec ertrand randsa ne. Comité scienti ue Luca om ardieri a ine Fourrier Artemis eor iou Antoine ermary homas iely eo rey eyer-Fernande ichalis . ichael tephan . chmid Philippe rélat Anastasia ian ou. a uette Carole Perret. ise en pa es École rançaise d'Athènes. i o A ( istoire et ources des ondes Anti ues) aison de l' rient et de la éditerranée ean Pouillou rue aulin F-Lyon Cede sa ine. ourrier mom. r anna.cannavo mom. r Centre d'Études Chypriotes
Cahiers du Centre d’Études Chypriotes , 2018
La revue Cahiers du Centre d'Études chypriotes (abrégée CCEC) publie des contributions en alleman... more La revue Cahiers du Centre d'Études chypriotes (abrégée CCEC) publie des contributions en allemand, anglais, français, grec, italien, et rend compte d'ouvrages qui lui sont envoyés. Adresser les propositions d'articles au directeur de la revue (Centre Camille-Jullian, Aix).
M. Christidis – A. Hermary – G. Koiner – A. Ulbrich Classical Cyprus. Proceedings of the Conference at the University of Graz, Austria, 21–23 September 2017, Κυπριακά - Studies on Ancient Cyprus, Wien 2020), 2020
Remarques sur une peinture de sarcophage et sur quelques sculptures chypriotes inédites (V e-IV e... more Remarques sur une peinture de sarcophage et sur quelques sculptures chypriotes inédites (V e-IV e siècles av. J.-C.
Talks by Cheyenne Peverelli
No time to waste on waste? Frammenti di vita quotidiana e dinamiche di potere a Cipro tra età classica ed ellenistica
Paper presented at the SAKA-ASAC Table Ronde, Basel, 11.11.2025
Paper presented at the 14th ICAANE in Lyon within the Workshop A15895SV "Investigating Cross-Cul... more Paper presented at the 14th ICAANE in Lyon within the Workshop A15895SV "Investigating Cross-Cultural Contacts Between the Island of Cyprus and Its Neighbours During the 2nd and 1st Millennia BCE"
The transition between the Classical and Hellenistic eras represents a renewed peak in cross-cultural contacts in the Eastern Mediterranean. During this period, Cyprus was deeply integrated into a network involving various local, Greek (Attic), Phoenician, and other Levantine stakeholders. These interactions significantly influenced Cyprus' various regional identities during what is historically often regarded as a crisis period, spanning from the end of the Cypriot city-states in the late 4th century BCE to the island's adoption of a Hellenistic character around 200 BCE. This transformative phase is poorly studied in terms of material culture. Contextual analysis of local and foreign pottery remains from settlement contexts in Palaepaphos-Evreti provide a case study of cross-cultural shaping in ceramic artefacts. This paper aims to illustrate how "local" and "foreign" pottery traditions merged and flourished, shaping a new, yet traditional Paphian character during the transitional period. Ultimately, the present research challenges the common view of this era as a period of crisis.
5th IARPotHP, 2021
Capital of the kingdom of Paphos, made famous by its sanctuary dedicated to Aphrodite, Palaepapho... more Capital of the kingdom of Paphos, made famous by its sanctuary dedicated to Aphrodite, Palaepaphos was the most important settlement in the western part of Cyprus during the Iron Age. In the framework of the research project "Palaepaphos (Cyprus) in the Classical Age. Functional and socio-cultural analysis of the ceramic material of a living quarter", the ceramic materials of two wells and the remains of a domestic context from the Classical and early Hellenistic period (5th-3rd centuries BC) are being analyzed, with their attestations that so far have no parallels among Cypriot domestic contexts of this period. On the basis of these exceptional deposits, where both imports - particularly Attic - and local productions are found, it is possible to establish for the first time a typology and chronology of Cypriot ceramics from the end of the Classical period and the early Hellenistic period. Attic pottery plays a fundamental role here as a “marqueur chronologique” but also as a model to which local production is clearly oriented.
Towards the end of the classical period, the production of Cypriot tableware throughout the island integrated forms and decorations from Attic pottery: in Marion one finds the pseudo Attic Style, in Amatunte the Amathont Style. In addition to the numerous imports of the 4th century B.C., the material from Palaepaphos clearly documents the adoption of Attic forms in local production. The latter is still poorly understood: the regional development of local fine pottery from this period still lacks in-depth investigation. The aim of this paper is to thematize the Cypriot tableware productions of the Late Classic and Early Hellenistic periods from Palaepaphos and to investigate their links with Attic pottery, a favorite import in Cyprus in the 4th century BC.
Exploring Palaepaphos During the Classical Period: Preliminary Remarks on the Evreti Residential Area and its Wells (TE I and VII)
16th Meeting on Postgraduate Cypriot Archaeology (PoCA), Berlin, 13th-15th June , 2019
Kontakte zwischen Alt-Paphos und Athen: das Zeugnis der attischen Keramik aus den Deutsch-Schweizerischen Grabungen
Tagung „Classical Cyprus“, Graz, 21.-23. September 2017
Von Assur bis Athen. Bilder der Flucht aus dem Alten Orient als Neubeginn der Griechischen Kunst (900-700 v. Chr.)
Tagung „Flüchtige Bilder: Affekt // Repräsentation“, Hamburg, 1-3. Dezember 2016
Edited Journals by Cheyenne Peverelli
Cahiers du Centre d'Etudes Chypriotes, 2024
https://journals.openedition.org/cchyp/
Bulletin SAKA-ASAC, 2022
La Re na iss an ce de s Ét ru sq ue s Le théâ tre du Capi tole H HO OR RA AI IR RE ES S Lundi 10h... more La Re na iss an ce de s Ét ru sq ue s Le théâ tre du Capi tole H HO OR RA AI IR RE ES S Lundi 10h-18 h Mercr edi 10h-18 h Entrée libre Ende April 2023 ihre Tore für Besucherinnen und Besucher öffnen wird. Auch an den Museumsnächten in Bern, Basel und Zürich war die Antike ein Thema. Die Antikensammlung in Bern präsentierte das «Best of aus 20 Jahren: Gladiatoren, Superhelden und Reisen in die Unterwelt» (18.-19. März), in Basel fand sie erstmals im Mai statt, worüber sich die Stadt «Tierisch!» freute. In der Archäologischen Sammlung in Zürich wurden «Starke Frauen der Antike» (3. September) thematisiert. Konferenzen Zahlreiche Konferenzen und Workshops fanden im Jahr 2022 statt. Einen glänzenden Jahresanfang bildete die internationale und hybrid durchgeführte Konferenz «Light and Splendour: precious metal as a medium of ritual and social interaction in Late Antiquity», die vom 20. bis zum 22. Januar in Basel stattfand. Eine Table Ronde für junge Forschende zu den vesuvianischen Städten «New Research in the Vesuvian Cities» fand vom 27. bis 28. Mai ebenfalls in Basel statt (Abb. 7). Ein spannender (Forschungs-)Herbst kennzeichnete die Universität Zürich, wo die zwei Workshops «Ritual? Methoden und Theorien im Spannungsfeld der Archäologien» (24.09.) und «Between Local Tradition and Urban Innovation. Ritual Space and Religious Dynamics in Ancient Sicily» (21.-22.10.) durchgeführt wurden. Letzterer wurde von der «International Group of Young Academics on Archaeological Research in Sicily» organisiert, eine Arbeitsgruppe, die Anfang 2021 gegründet wurde und von vielen jungen Schweizer Forschenden mitgetragen wird (dazu den Bericht von Agata Guirard auf den S. 19-21). Über die sechste Ausgabe der ArCHeoM-Tagung in Rom (17.-18. Februar), die den «Schweizer Doktorierende[n] und ihre[n] Forschungsprojekte[n] im west
Bulletin SAKA-ASAC, 2021
Trotz allen pandemiebedingen Schwierigkeiten und Unsicherheiten kann zum Ende des Jahres 2021 hin... more Trotz allen pandemiebedingen Schwierigkeiten und Unsicherheiten kann zum Ende des Jahres 2021 hin eine eindrückliche Bilanz zu den Aktivitäten der Schweizer Klassischen Archäologie gezogen werden. Feldarchäologie Sowohl in Italien wie auch in Griechenland wurde die Feldarbeit im Vergleich zum Vorjahr während den im Hinblick auf die Pandemie eher ruhigen Sommermonaten wieder intensiviert, wenn auch mit teils sehr strengen Schutzmassnahmen (Abb. 1). Die Projekte haben in den Zeitungen und im Fernsehen für Schlagzeilen gesorgt, in der Schweiz und auch im Ausland (Abb. 3). Auf dem Monte Iato in Sizilien konnte die Universität Zürich im Rahmen des SNF-Projektes «Becoming Roman-Die Neubewertung des zentralen Stadtraumes der hellenistisch-römischen Stadt Iaitas/Ietas (Palermo/Sizilien)» eine einmonatige Grabungskampagne im August durchführen (Abb. 2), gefolgt von zwei Wochen Nacharbeit. Im Fokus stand das Post-Doc-Projekt von Alexandra Tanner zur Architektur der Nordhalle und zur urbanistischen Entwicklung der Agora.
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Papers by Cheyenne Peverelli
Talks by Cheyenne Peverelli
The transition between the Classical and Hellenistic eras represents a renewed peak in cross-cultural contacts in the Eastern Mediterranean. During this period, Cyprus was deeply integrated into a network involving various local, Greek (Attic), Phoenician, and other Levantine stakeholders. These interactions significantly influenced Cyprus' various regional identities during what is historically often regarded as a crisis period, spanning from the end of the Cypriot city-states in the late 4th century BCE to the island's adoption of a Hellenistic character around 200 BCE. This transformative phase is poorly studied in terms of material culture. Contextual analysis of local and foreign pottery remains from settlement contexts in Palaepaphos-Evreti provide a case study of cross-cultural shaping in ceramic artefacts. This paper aims to illustrate how "local" and "foreign" pottery traditions merged and flourished, shaping a new, yet traditional Paphian character during the transitional period. Ultimately, the present research challenges the common view of this era as a period of crisis.
Towards the end of the classical period, the production of Cypriot tableware throughout the island integrated forms and decorations from Attic pottery: in Marion one finds the pseudo Attic Style, in Amatunte the Amathont Style. In addition to the numerous imports of the 4th century B.C., the material from Palaepaphos clearly documents the adoption of Attic forms in local production. The latter is still poorly understood: the regional development of local fine pottery from this period still lacks in-depth investigation. The aim of this paper is to thematize the Cypriot tableware productions of the Late Classic and Early Hellenistic periods from Palaepaphos and to investigate their links with Attic pottery, a favorite import in Cyprus in the 4th century BC.
Edited Journals by Cheyenne Peverelli