Himmelskönig, sei willkommen, BWV 182 (Bach, Johann Sebastian) - IMSLP
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Himmelskönig, sei willkommen, BWV 182 (Bach, Johann Sebastian)
Movements/Sections
Mov'ts/Sec's
8 movements
Composition Year
1714-28 in Weimar, Leipzig
Genre Categories
Sacred cantatas
Cantatas
Religious works
For 3 voices, mixed chorus, orchestra
For voices and chorus with orchestra
Scores featuring the voice
Scores featuring the alto voice
Scores featuring the tenor voice
Scores featuring the bass voice
Scores featuring mixed chorus
Scores featuring the orchestra
German language
For 3 violins, cello (arr)
For 4 players (arr)
Scores featuring the violin (arr)
Scores featuring the cello (arr)
For 2 violins, viola, cello (arr)
Scores featuring the viola (arr)
For violin, 2 violas, cello (arr)
For 2 violins, 2 violas, cello (arr)
For 5 players (arr)
For violin, 3 violas, cello (arr)
For 2 violins, viola, 2 cellos (arr)
For violin, 2 violas, 2 cellos (arr)
For 2 violins, 2 cellos (arr)
For violin, viola, 2 cellos (arr)
For 2 violins, cello (arr)
For 3 players (arr)
For violin, viola, cello (arr)
For violin, 2 cellos (arr)
For flute, violin, cello (arr)
Scores featuring the flute (arr)
For flute, viola, cello (arr)
For flute, 2 cellos (arr)
For violin, cello (arr)
For 2 players (arr)
For viola, cello (arr)
For 2 cellos (arr)
For violin, viola (arr)
For 2 violas (arr)
for alto voice and organ (arr)
For 5 recorders (arr)
Scores featuring the recorder (arr)
For 4 recorders (arr)
For organ (arr)
For 1 player (arr)
Scores featuring the organ (arr)
For trumpet, organ (arr)
Scores featuring the trumpet (arr)
For oboe damore, strings (arr)
Scores featuring the oboe damore (arr)
Scores featuring string ensemble (arr)
For strings with soloists (arr)
Contents
Performances
1.1
Recordings
1.1.1
Sonata (No.1)
1.2
Naxos
1.3
Synthesized/MIDI
1.3.1
Sonata (No.1)
1.3.1.1
For 5 Recorders (AATTB) (Tennent)
1.3.1.2
For 4 Recorders (Olschewski)
1.3.2
Aria: 'Jesu, laß durch Wohl und Weh' (No.6)
1.3.2.1
For Trumpet and Organ (Rondeau)
Sheet Music
2.1
Full Scores
2.1.1
Weimar versions, BC A 53
2.1.2
Leipzig versions, BC A 172
2.2
Parts
2.2.1
Both versions, BC A 53, 172
2.2.2
Leipzig versions, BC A 172
2.2.3
Sonata (No.1)
2.3
Vocal Scores
2.4
Arrangements and Transcriptions
2.4.1
Sonata (No.1)
2.4.1.1
For 5 Recorders (Tennent)
2.4.1.2
For String Quartets (Lang)
2.4.1.3
For 4 Recorders (Olschewski)
2.4.1.4
For Organ (Lomartire)
2.4.2
Chorus: 'Himmelskönig, sei willkommen' (No.2)
2.4.2.1
For 2 Violins, Viola and 2 Cellos (Bartoli)
2.4.3
Aria: 'Starkes Lieben' (No.4)
2.4.3.1
For String Quintets (Lang)
2.4.3.2
For String Quartets (Lang / Bartoli)
2.4.4
Aria: 'Leget euch dem Heiland unter' (No.5)
2.4.4.1
For Trios: Flute ad lib. and Strings (Lang)
2.4.4.2
For Alto Voice and Organ (Brunet)
2.4.5
Aria: 'Jesu, laß durch Wohl und Weh' (No.6)
2.4.5.1
For String Duos (Lang)
2.4.5.2
For Trumpet and Organ (Rondeau)
2.4.6
Chorus: 'Jesu, deine Passion ist mir lauter Freude' (No.7)
2.4.6.1
For String Quartets (Bartoli)
2.4.7
Chorale: 'So laßet uns gehen in Salem der Freuden' (No.8)
2.4.7.1
For 2 Violins, 2 Violas and Cello (Bartoli)
2.4.7.2
For Organ (Best)
2.4.7.3
For Oboe D Amore and Strings (Berrocal)
General Information
Navigation etc.
Performances
Recordings (
Commercial 💿 (
Accompaniments (
Synthesized/MIDI (
Recordings
Sonata (No.1)
Complete Recording
(EU)
#578889
- 4.81MB - 2:06
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470
- MP3 -
Vangi
MP3 file
(audio)
Vangi
(2019/6/26)
Publisher Info.
Teldec classic, 1963.
Performers
Frans Brüggen, Gustav Leonhardt, Marie Leonhardt
Public Domain
Non-PD US
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Naxos
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Synthesized/MIDI
Sonata (No.1)
For 5 Recorders (AATTB) (Tennent)
Synthesized Performance
#570402
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- MID -
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MID file
(audio/video)
Rdtennent
(2019/4/29)
Publisher Info.
R.D. Tennent
Performers
PhotoScore
Creative Commons Attribution-ShareAlike 3.0
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Misc. Notes
These file(s) are part of the
Werner Icking Music Collection
, and are also included in the
Mondrup Recorder Collection
. 1724 version.
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For 4 Recorders (Olschewski)
Synthesized Performance
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Teddymax
MP3 file
(audio)
Teddymax
(2013/9/23)
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teddymaxProduction
Performers
Finale 2011
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Aria: 'Jesu, laß durch Wohl und Weh' (No.6)
For Trumpet and Organ (Rondeau)
Synthesized Performance
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Michrond
MP3 file
(audio)
Michrond
(2016/4/26)
Publisher Info.
Michel Rondeau
Performers
MIDI
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Sheet Music
Full Scores (
19
Parts (
16
Vocal Scores (
Arrangements and Transcriptions (
16
Libretti (
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Full Scores
Weimar versions, BC A 53
Complete Score
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Complete Score
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43
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Copyist
Carl Philipp Emanuel Bach
(1714–1788),
No.8, bars 67-90
Carl Friedrich Zelter
(1758–1832),
No.1, additions in red ink
Pub
lisher
Info.
Partial Holograph manuscript, 1714.
Public Domain
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Misc. Notes
Staatsbibliothek zu Berlin (D-B):
Mus.ms. Bach P 103
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Complete Score (1st Version)
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Anhang: Nos.1, 4 (2nd Version)
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Editor
Christoph Wolff
(b. 1940)
Pub
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Info.
Neue Bach-Ausgabe
, Serie I, Band 8.2
(pp.1-40, 81-90)
Kassel:
Bärenreiter Verlag
, 1997. Plate BA 5079.
URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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Complete Score
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Complete Score
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Bach-Gesellschaft Ausgabe
Band 37
(pp.21-58)
Leipzig:
Breitkopf und Härtel
, 1891. Plate B.W. XXXVII.
Reprinted
New York:
E.F. Kalmus
, n.d.(1933–70). Catalog A2543. (#729964)
Wiesbaden:
Breitkopf und Härtel
, 1962. Plate P.B. 4682. (#935344)
Public Domain
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Complete Score (Final version)
(EU)
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Anhang: 1. 'Sonata' (1st version)
(EU)
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Editor
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(b. 1940)
Pub
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Info.
Neue Bach-Ausgabe
, Serie I, Band 8.2
(pp.91-94, 41-80)
Kassel:
Bärenreiter Verlag
, 1997. Plate BA 5079.
URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.
More information can be found
here
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Public Domain
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2. Chorus: 'Himmelskönig, sei willkommen' • 3. Recitative: 'Siehe, ich komme, im Buch ist von mir geschrieben' • 4. Aria: 'Starkes Lieben' • 5. Aria: 'Leget euch dem Heiland unter' • 6. Aria: 'Jesu, laß durch Wohl und Weh' • 7. Chorus: 'Jesu, deine Passion ist mir lauter Freude' • 8. Chorale: 'So lasset uns gehen in Salem der Freuden' • Engraving files (MuseScore)
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1. 'Sonata'
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Parts
Both versions, BC A 53, 172
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Complete Parts
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BC A 53
Johann Andreas Kuhnau
(1703–1761),
BC A 172
Anons. IIIb, L 46, L 47,
BC A 172
Carl Friedrich Zelter
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edits
Carl Philipp Emanuel Bach
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title page
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Partial Holograph manuscript, n.d.(ca.1728).
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Staatsbibliothek zu Berlin (D-B):
Mus.ms. Bach St 47
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Manuscript, n.d.(ca.1724)., with composer corrections
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These parts correspond with the single violin in 'Group 3' from 1724
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Mus.ms. Bach St 47a
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Violin Solo/Violins • Violas I • Violas II • Cellos/Basses
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Leipzig:
Breitkopf und Härtel
, n.d.(ca.1920). Plate Orch-Bibl. 4682.
Reprinted
New York:
E.F. Kalmus
, n.d.(1933–70). Catalog A2543.
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Complete Parts
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Leipzig:
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, n.d.(ca.1920). Plate Orch-Bibl. 4682.
Reprinted
Wiesbaden:
Breitkopf und Härtel
, 1962.
Public Domain
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The 1962 claim applies only to the continuo realization by
Ulrich Haverkampf
(1914-1982), not to the other parts. This claim was renewed in 1990 by Haverkamp's widow Ilse
Registration/Renewal #RE0000506314
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Sonata (No.1)
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Violin Concertante • Violins • Violas I/II • Continuo • Engraving files (Lilypond)
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Bernhard Todt
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Leipzig:
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, n.d.(ca.1895).
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Complete Score (Annotated)
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Bernhard Todt
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Melvin P. Unger
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Melvin P. Unger, after
Leipzig:
Breitkopf und Härtel
, n.d.(ca.1895).
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Arrangements and Transcriptions
Sonata (No.1)
For 5 Recorders (Tennent)
Complete Score and Parts (AATTB recorders)
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Complete Score and Parts
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General Information
Work Title
Himmelskönig, sei willkommen
Alt
ernative
Title
Kantata zu Sonntag Palmarum oder zu Fest Mariae Verkündigung
Name Translations
Himmelskönig
Himmelskönig, sei willkommen, רי"ב 182
Name Aliases
Himmelskonig, sei willkommen
Authorities
WorldCat
Wikipedia
VIAF
180237500
LCCN
n83073633
GND
300008872
BNF
13939765f
NLA
35672964
Composer
Bach, Johann Sebastian
Opus/Catalogue Number
Op./Cat. No.
BWV 182 ; BC A 53, 172
Internal Reference Number
Internal Ref. No.
IJB 293
Key
major (1714); G major (later versions)
Movements/Sections
Mov'ts/Sec's
8 movements:
Sonata (G major, 21 bars)
Chorus: Himmelskönig, sei willkommen (G major 65 bars)
Recitative (bass): Siehe, ich komme, im Buch ist von mir geschrieben (C major, 8 bars)
Aria (bass): Starkes Lieben (C major, 39 bars)
Aria (alto): Leget euch dem Heiland unter (E minor, 72 bars)
Aria (tenor): Jesu, laß durch Wohl und Weh (B minor, 100 bars)
Chorus: Jesu, deine Passion ist mir lauter Freude (G major, 56 bars)
Chorale: So lasset uns gehen in Salem der Freuden (G major, 232 bars)
Year/Date of Composition
Y/D of Comp.
1714-28 in Weimar, Leipzig
First Perf
ormance
1714-03-25 in Weimar (BC A 53)
1724-03-25 in Leipzig (BC A 172)
First Pub
lication
1843 - Berlin: Trautwein
Librettist
see below
Salomo Franck
(1659–1725) (Nos.2, 4-6, 8)
Psalm XL: 8-9 (No.3)
Paul Stockmann
(1603–1636) (No.7)
Language
German
Dedication
6th Sunday in Lent (Palm Sunday)
Feast of the Annunciation
Composer Time Period
Comp. Period
Baroque
Piece Style
Baroque
Instrumentation
alto, tenor, bass; mixed chorus (SATB), orchestra
InstrDetail
recorder, violin (concertante), strings, continuo
Manuscript Sources
Bach Digital (source list)
External Links
Wikipedia article
Bach-Cantatas.com
Extra Information
Versions and their performances
Navigation etc.
Cantatas
by
Johann Sebastian Bach
Cantatas, BWV 1–10
BWV 1:
Wie schön leuchtet der Morgenstern
BWV 2:
Ach Gott, vom Himmel sieh darein
BWV 3:
Ach Gott, wie manches Herzeleid
BWV 4:
Christ lag in Todes Banden
BWV 5:
Wo soll ich fliehen hin
BWV 6:
Bleib bei uns, denn es will Abend werden
BWV 7:
Christ unser Herr zum Jordan kam
BWV 8:
Liebster Gott, wenn werd ich sterben?
BWV 9:
Es ist das Heil uns kommen her
BWV 10:
Meine Seel erhebt den Herren
Cantatas, BWV 11–20
BWV 11:
Lobet Gott in seinen Reichen
(Ascension Oratorio)
BWV 12:
Weinen, Klagen, Sorgen, Zagen
BWV 13:
Meine Seufzer, meine Tränen
BWV 14:
Wär Gott nicht mit uns diese Zeit
BWV 15:
Denn du wirst meine Seele nicht in der Hölle lassen
(by
Johann Ludwig Bach
BWV 16:
Herr Gott, dich loben wir
BWV 17:
Wer Dank opfert, der preiset mich
BWV 18:
Gleich wie der Regen und Schnee vom Himmel fällt
BWV 19:
Es erhub sich ein Streit
BWV 20:
O Ewigkeit, du Donnerwort
Cantatas, BWV 21–30
BWV 21:
Ich hatte viel Bekümmernis
BWV 22:
Jesus nahm zu sich die Zwölfe
BWV 23:
Du wahrer Gott und Davids Sohn
BWV 24:
Ein ungefärbt Gemüte
BWV 25:
Es ist nichts Gesundes an meinem Leibe
BWV 26:
Ach wie flüchtig, ach wie nichtig
BWV 27:
Wer weiß, wie nahe mir mein Ende
BWV 28:
Gottlob! nun geht das Jahr zu Ende
BWV 29:
Wir danken dir, Gott, wir danken dir
BWV 30:
Freue dich, erlöste Schaar
BWV 30a:
Angenehmes Wiederau
Cantatas, BWV 31–40
BWV 31:
Der Himmel lacht! die Erde jubiliert
BWV 32:
Liebster Jesu, mein Verlangen
BWV 33:
Allein zu dir, Herr Jesu Christ
BWV 34:
O ewiges Feuer, o Ursprung der Liebe
BWV 34a:
O ewiges Feuer, o Ursprung der Liebe
BWV 35:
Geist und Seele wird verwirret
BWV 36:
Schwingt freudig euch empor
BWV 36a:
Steigt freudig in die Luft
BWV 36b:
Die Freude reget sich
BWV 36c:
Schwingt freudig euch empor
BWV 37:
Wer da gläubet und getauft wird
BWV 38:
Aus tiefer Not schrei ich zu dir
BWV 39:
Brich dem Hungrigen dein Brot
BWV 40:
Dazu ist erschienen der Sohn Gottes
Cantatas, BWV 41–50
BWV 41:
Jesu, nun sei gepreiset
BWV 42:
Am Abend aber desselbigen Sabbats
BWV 43:
Gott fähret auf mit Jauchzen
BWV 44:
Sie werden euch in den Bann tun
BWV 45:
Es ist dir gesagt, Mensch, was gut ist
BWV 46:
Schauet doch und sehet
BWV 47:
Wer sich selbst erhöhet, der soll erniedriget werden
BWV 48:
Ich elender Mensch, wer wird mich erlösen
BWV 49:
Ich geh' und suche mit Verlangen
BWV 50:
Nun ist das Heil und die Kraft
Cantatas, BWV 51–60
BWV 51:
Jauchzet Gott in allen Landen
BWV 52:
Falsche Welt, dir trau ich nicht
BWV 53:
Schlage doch, gewünschte Stunde
(by
Melchior Hoffmann
?)
BWV 54:
Widerstehe doch der Sünde
BWV 55:
Ich armer Mensch, ich Sündenknecht
BWV 56:
Ich will den Kreuzstab gerne tragen
BWV 57:
Selig ist der Mann
BWV 58:
Ach Gott, wie manches Herzeleid
BWV 59:
Wer mich liebet, der wird mein Wort halten
BWV 60:
O Ewigkeit, du Donnerwort
Cantatas, BWV 61–70
BWV 61:
Nun komm, der Heiden Heiland
BWV 62:
Nun komm, der Heiden Heiland
BWV 63:
Christen, ätzet diesen Tag
BWV 64:
Sehet, welch eine Liebe
BWV 65:
Sie werden aus Saba alle kommen
BWV 66:
Erfreut euch, ihr Herzen
BWV 66a:
Der Himmel dacht auf Anhalts Ruhm und Glück
BWV 67:
Halt im Gedächtnis Jesum Christ
BWV 68:
Also hat Gott die Welt geliebt
BWV 69:
Lobe den Herrn, meine Seele
BWV 69a:
Lobe den Herrn, meine Seele
BWV 70:
Wachet! betet! betet! wachet!
BWV 70a:
Wachet, betet, seid bereit allezeit!
Cantatas, BWV 71–80
BWV 71:
Gott ist mein König
BWV 72:
Alles nur nach Gottes Willen
BWV 73:
Herr, wie du willt, so schick's mit mir
BWV 74:
Wer mich liebet, der wird mein Wort halten
BWV 75:
Die Elenden sollen essen
BWV 76:
Die Himmel erzählen die Ehre Gottes
BWV 77:
Du sollt Gott, deinen Herren, lieben
BWV 78:
Jesu, der du meine Seele
BWV 79:
Gott der Herr ist Sonn und Schild
BWV 80:
Ein feste Burg ist unser Gott
BWV 80a:
Alles, was von Gott geboren
BWV 80b:
Ein feste Burg ist unser Gott
Cantatas, BWV 81–90
BWV 81:
Jesus schläft, was soll ich hoffen?
BWV 82:
Ich habe genug
BWV 83:
Erfreute Zeit im neuen Bunde
BWV 84:
Ich bin vergnügt mit meinem Glücke
BWV 85:
Ich bin ein guter Hirt
BWV 86:
Wahrlich, wahrlich, ich sage euch
BWV 87:
Bisher habt ihr nichts gebeten in meinem Namen
BWV 88:
Siehe, ich will viel Fischer aussenden
BWV 89:
Was soll ich aus dir machen, Ephraim
BWV 90:
Es reißet euch ein schrecklich Ende
Cantatas, BWV 91–100
BWV 91:
Gelobet seist du, Jesu Christ
BWV 92:
Ich hab in Gottes Herz und Sinn
BWV 93:
Wer nur den lieben Gott lässt walten
BWV 94:
Was frag ich nach der Welt
BWV 95:
Christus, der ist mein Leben
BWV 96:
Herr Christ, der einge Gottessohn
BWV 97:
In allen meinen Taten
BWV 98:
Was Gott tut, das ist wohlgetan
BWV 99:
Was Gott tut, das ist wohlgetan
BWV 100:
Was Gott tut, das ist wohlgetan
Cantatas, BWV 101–110
BWV 101:
Nimm von uns, Herr, du treuer Gott
BWV 102:
Herr, deine Augen sehen nach dem Glauben
BWV 103:
Ihr werdet weinen und heulen
BWV 104:
Du Hirte Israel, höre
BWV 105:
Herr, gehe nicht ins Gericht mit deinem Knecht
BWV 106:
Gottes Zeit ist die allerbeste Zeit
BWV 107:
Was willst du dich betrüben
BWV 108:
Es ist euch gut, daß ich hingehe
BWV 109:
Ich glaube, lieber Herr
BWV 110:
Unser Mund sei voll Lachens
Cantatas, BWV 111–120
BWV 111:
Was mein Gott will, das g'scheh allzeit
BWV 112:
Der Herr ist mein getreuer Hirt
BWV 113:
Herr Jesu Christ, du höchstes Gut
BWV 114:
Ach, lieben Christen, seid getrost
BWV 115:
Mache dich, mein Geist, bereit
BWV 116:
Du Friedefürst, Herr Jesu Christ
BWV 117:
Sei Lob und Ehr dem höchsten Gut
BWV 118:
O Jesu Christ, mein's Lebens Licht
BWV 119:
Preise, Jerusalem, den Herren
BWV 120:
Gott, man lobet dich in der Stille
BWV 120a:
Herr Gott, Beherrscher aller Dinge
BWV 120b:
Gott, man lobet dich in der Stille
Cantatas, BWV 121–130
BWV 121:
Christum wir sollen loben schon
BWV 122:
Das neugeborne Kindelein
BWV 123:
Liebster Immanuel, Herzog der Frommen
BWV 124:
Meinen Jesum lass ich nicht
BWV 125:
Mit Fried und Freud ich fahr dahin
BWV 126:
Erhalt uns, Herr, bei deinem Wort
BWV 127:
Herr Jesu Christ, wahr' Mensch und Gott
BWV 128:
Auf Christi Himmelfahrt allein
BWV 129:
Gelobet sei der Herr, mein Gott
BWV 130:
Herr Gott, dich loben alle wir
Cantatas, BWV 131–140
BWV 131:
Aus der Tiefe rufe ich, Herr, zu dir
BWV 131a:
Fugue in G minor
BWV 132:
Bereitet die Wege, bereitet die Bahn
BWV 133:
Ich freue mich in dir
BWV 134:
Ein Herz, das seinen Jesum lebend weiß
BWV 134a:
Die Zeit, die Tag und Jahre macht
BWV 135:
Ach Herr, mich armen Sünder
BWV 136:
Erforsche mich, Gott, und erfahre mein Herz
BWV 137:
Lobe den Herren, den mächtigen König der Ehren
BWV 138:
Warum betrübst du dich, mein Herz
BWV 139:
Wohl dem, der sich auf seinen Gott
BWV 140:
Wachet auf, ruft uns die Stimme
Cantatas, BWV 141–150
BWV 141:
Das ist je gewisslich wahr
(by
Georg Philipp Telemann
BWV 142:
Uns ist ein Kind geboren
(by
Johann Kuhnau
?)
BWV 143:
Lobe den Herrn, meine Seele
(author uncertain)
BWV 144:
Nimm, was dein ist, und gehe hin
BWV 145:
Ich lebe, mein Herze, zu deinem Ergötzen
BWV 146:
Wir müssen durch viel Trübsal in das Reich Gottes eingehen
BWV 147:
Herz und Mund und Tat und Leben
BWV 147a:
Herz und Mund und Tat und Leben
BWV 148:
Bringet dem Herrn Ehre seines Namens
BWV 149:
Man singet mit Freuden vom Sieg
BWV 150:
Nach dir, Herr, verlanget mich
Weihnachtsoratorium
, BWV 248
(Christmas Oratorio)
I. Jauchzet, frohlocket, auf, preiset die Tage
II. Und es waren Hirten in derselben Gegend
III. Herrscher des Himmels, erhöre das Lallen
IV. Fallt mit Danken, fallt mit Loben
V. Ehre sei dir, Gott, gesungen
VI. Herr, wenn die stolzen Feinde schnauben
Oster-Oratorium
, BWV 249
(Easter Oratorio)
Entfliehet, verschwindet, entweichet, ihr Sorgen
, BWV 249a
Cantatas, BWV 151–160
BWV 151:
Süsser Trost, mein Jesus kömmt
BWV 152:
Tritt auf die Glaubensbahn
BWV 153:
Schau, lieber Gott, wie meine Feind
BWV 154:
Mein liebster Jesus ist verloren
BWV 155:
Mein Gott, wie lang, ach lange
BWV 156:
Ich steh mit einem Fuß im Grabe
BWV 157:
Ich lasse dich nicht, du segnest mich denn!
BWV 157a:
Ich lasse dich nicht, du segnest mich denn!
BWV 158:
Der Friede sei mit dir
BWV 158a:
Der Friede sei mit dir
BWV 159:
Sehet, wir geh'n hinauf gen Jerusalem
BWV 160:
Ich weiss, dass mein Erlöser lebt
(by
Georg Philipp Telemann
Cantatas, BWV 161–170
BWV 161:
Komm, du süsse Todesstunde
BWV 162:
Ach! ich sehe, itzt, da ich zur Hochzeit gehe
BWV 163:
Nur jedem das Seine
BWV 164:
Ihr, die ihr euch von Christo nennet
BWV 165:
O heilges Geist- und Wasserbad
BWV 166:
Wo gehest du hin
BWV 167:
Ihr Menschen, rühmet Gottes Liebe
BWV 168:
Tue Rechnung! Donnerwort
BWV 169:
Gott soll allein mein Herze haben
BWV 170:
Vergnügte Ruh, beliebte Seelenlust
Cantatas, BWV 171–180
BWV 171:
Gott, wie dein Name, so ist auch dein Ruhm
BWV 172:
Erschallet, ihr Lieder
BWV 173:
Erhöhtes Fleisch und Blut
BWV 173a:
Durchlauchtster Leopold
BWV 174:
Ich liebe den Höchsten von ganzem Gemüte
BWV 175:
Er rufet seinen Schafen mit Namen
BWV 176:
Es ist ein trotzig und verzagt Ding
BWV 177:
Ich ruf zu dir, Herr Jesu Christ
BWV 178:
Wo Gott der Herr nicht bei uns hält
BWV 179:
Siehe zu, dass deine Gottesfurcht
BWV 180:
Schmücke dich, o liebe Seele
Cantatas, BWV 181–190
BWV 181:
Leichtgesinnte Flattergeister
BWV 182:
Himmelskönig, sei willkommen
BWV 183:
Sie werden euch in den Bann tun
BWV 184:
Erwünschtes Freudenlicht
BWV 185:
Barmherziges Herze der ewigen Liebe
BWV 186:
Ärgre dich, o Seele, nicht
BWV 186a:
Ärgre dich, o Seele, nicht
BWV 187:
Es wartet alles auf dich
BWV 188:
Ich habe meine Zuversicht
BWV 189:
Meine Seele rühmt und preist
(by
Melchior Hoffmann
BWV 190:
Singet dem Herrn ein neues Lied
BWV 190a:
Singet dem Herrn ein neues Lied
Cantatas, BWV 191–200
BWV 191:
Gloria in excelsis Deo
BWV 192:
Nun danket alle Gott
BWV 193:
Ihr Tore zu Zion
BWV 193a:
Ihr Häuser des Himmels, ihr scheinenden Lichter
BWV 194:
Höchsterwünschtes Freudenfest
BWV 195:
Dem Gerechten muss das Licht
BWV 196:
Der Herr denket an uns
BWV 197:
Gott ist unsre Zuversicht
BWV 197a:
Ehre sei Gott in der Höhe
BWV 198:
Lass, Fürstin, lass noch einen Strahl
(Trauer Ode)
BWV 199:
Mein Herze schwimmt im Blut
BWV 200:
Bekennen will ich seinen Namen
Cantatas, BWV 201–210
BWV 201:
Geschwinde, ihr wirbelnden Winde
(The Contest Between Phoebus and Pan)
BWV 202:
Weichet nur, betrübte Schatten
(Wedding Cantata)
BWV 203:
Amore traditore
BWV 204:
Ich bin in mir vergnügt
BWV 205:
Zerreißet, zersprenget, zertrümmert die Gruft
BWV 205a:
Blast Lärmen, ihr Feinde! verstärket die Macht
BWV 206:
Schleicht, spielende Wellen
BWV 207:
Vereinigte Zwietracht der wechselnden Saiten
BWV 207a:
Auf, schmetternde Töne der muntern Trompeten
BWV 208:
Was mir behagt, ist nur die muntre Jagd
(Hunting Cantata)
BWV 208a:
Was mir behagt, ist nur die muntre Jagd
BWV 209:
Non sa che sia dolore
BWV 210:
O holder Tag, erwünschte Zeit
BWV 210a:
O angenehme Melodei
Cantatas, BWV 211–220
BWV 211:
Schweigt stille, plaudert nicht
(Coffee Cantata)
BWV 212:
Mer hahn en neue Oberkeet
(Peasant Cantata)
BWV 213:
Laßt uns sorgen, laßt uns wachen
(Hercules auf dem Scheidewege)
BWV 214:
Tönet, ihr Pauken! Erschallet, Trompeten!
BWV 215:
Preise dein Glücke, gesegnetes Sachsen
BWV 216:
Vergnügte Pleissenstadt
BWV 216a:
Erwählte Pleissenstadt
(Apollo et Mercurius)
BWV 217:
Gedenke, Herr, wie es uns gehet
(by Johann Christoph Altnikol?)
BWV 218:
Gott der Hoffnung erfülle euch
(by
Georg Philipp Telemann
BWV 219:
Siehe, es hatüberwunden der Löwe
(by
Georg Philipp Telemann
BWV 220:
Lobt ihn mit Herz und Munde
(composer unknown)
Cantatas, BWV 221–224
BWV 221:
Wer sucht die Pracht, wer wünscht den Glanz
(composer unknown}
BWV 222:
Mein Odem ist schwach
(by
Johann Ernst Bach
BWV 223:
Meine Seele soll Gott loben
BWV 224:
Reißt euch los, bekränkte Sinnen
(by
Carl Philipp Emanuel Bach
?)
Trio Sonata in F major
, BWV 1040
Sinfonia in D major
, BWV 1045
(From a Lost Cantata)
Tilge, Höchster, meine Sünden
, BWV 1083
Retrieved from "
Categories
Recordings published in 1963
Recordings published in the 20th century
WIMA files
Mondrup Recorder Collection
Recordings
Pages with items from Bach Digital
Scores from Staatsbibliothek zu Berlin
Bach, Carl Philipp Emanuel/Copyist
Zelter, Carl Friedrich/Copyist
Manuscripts from the 1700s
Composers' holographs from the 1700s
Pages with MssAu template
Pages with RISM references
Manuscripts
Wolff, Christoph/Editor
Pages with items from edition "Neue Bach-Ausgabe (Bach, Johann Sebastian)"
Scores published by Bärenreiter
Urtext
Dörffel, Alfred/Editor
Pages with items from edition "Bach-Gesellschaft Ausgabe (Bach, Johann Sebastian)"
Scores published by Breitkopf und Härtel
Works reprinted by Edwin F. Kalmus
Casadesus-Masanell, Ramon/Editor
Hofman, Rutger/Editor
Schubart, Johann Martin/Copyist
Kuhnau, Johann Andreas/Copyist
Todt, Bernhard/Arranger
Unger, Melvin P./Editor
Tennent, R.D./Arranger
Lang, Peter/Arranger
Olschewski, Maximilian/Arranger
Lomartire, Saverio/Arranger
Bartoli, Russ/Arranger
Lang, Peter/Editor
Brunet, Alain/Arranger
Rondeau, Michel/Arranger
Best, William Thomas/Arranger
Scores published by Novello
Berrocal, Joseba/Arranger
Scores
Bach, Johann Sebastian
Baroque style
Baroque
Sacred cantatas
Cantatas
Religious works
For 3 voices, mixed chorus, orchestra
For voices and chorus with orchestra
Scores featuring the voice
Scores featuring the alto voice
Scores featuring the tenor voice
Scores featuring the bass voice
Scores featuring mixed chorus
Scores featuring the orchestra
German language
For 3 violins, cello (arr)
For 4 players (arr)
Scores featuring the violin (arr)
Scores featuring the cello (arr)
For 2 violins, viola, cello (arr)
Scores featuring the viola (arr)
For violin, 2 violas, cello (arr)
For 2 violins, 2 violas, cello (arr)
For 5 players (arr)
For violin, 3 violas, cello (arr)
For 2 violins, viola, 2 cellos (arr)
For violin, 2 violas, 2 cellos (arr)
For 2 violins, 2 cellos (arr)
For violin, viola, 2 cellos (arr)
For 2 violins, cello (arr)
For 3 players (arr)
For violin, viola, cello (arr)
For violin, 2 cellos (arr)
For flute, violin, cello (arr)
Scores featuring the flute (arr)
For flute, viola, cello (arr)
For flute, 2 cellos (arr)
For violin, cello (arr)
For 2 players (arr)
For viola, cello (arr)
For 2 cellos (arr)
For violin, viola (arr)
For 2 violas (arr)
Unknown arrangement tag
For alto voice and organ (arr)
For 5 recorders (arr)
Scores featuring the recorder (arr)
For 4 recorders (arr)
For organ (arr)
For 1 player (arr)
Scores featuring the organ (arr)
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Scores featuring the trumpet (arr)
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Scores featuring the oboe damore (arr)
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Works first published in 1843
Works first published in the 19th century
Pages with commercial recordings
Pages with commercial recordings (Naxos collection)
Pages with commercial recordings (BnF collection)
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Franck, Salomo/Librettist
Pieces with text from Psalm 40
Pieces with texts based on Psalms
Stockmann, Paul/Librettist
Pieces for the 6th Sunday in Lent (Palm Sunday)
Pieces for the Feast of the Annunciation